Winter 2023/2024 Cycle

Open Fund Press Release

Visual Arts Project Grant 2024 Awards Distributed


May 31, 2024 Milwaukee, WI

The Open Fund in collaboration with The Poor Farm with support from The Andy Warhol Foundation for the Visual Arts Regional Re-granting Program and The Ruth Foundation for the Arts Wisconsin Artist Grant is pleased to announce fourteen Artist Project grants have been awarded this month. Ten of the projects received $10,000 and four projects $5,000 in this round of funding. We would like to thank all the artists who applied. We received more than double the amount of eligible applications as last year, and recognize there were more exceptional projects than we were able to fund. This is a testament to the abundance of collective-thinking art practitioners in our many diverse communities of visual artists in Milwaukee County. We are also excited to announce that in the fall, with support from our sponsoring foundations, we plan to expand our Artist Project Grant eligibility to state-wide. “We hope that this move will reach artists across Wisconsin who are doing critical work in their communities to support other artists and who are under acknowledged and underfunded” said Open Fund administrator and artist John Riepenhoff, adding “we envision a state of visual artists that are diverse and united in support of their peers.”


"Being based in another Midwest art city, it is encouraging to see what kind of work is being produced in the region. I found the breadth of projects from the Milwaukee art scene to be really impressive—touching on food, identity, environment, mutual aid, and education.” commented juror Candice Davis of Minneapolis. “It’s exciting to see evidence of the many ways a community can engage with each other and with the visual arts. I look forward to seeing how projects from this cycle will grow with additional support."


Collectively, the awarded projects this cycle represent a group of 49 collaborating artists. Support for their projects will reach additional artists through collaborative platforms designed by each artist group. The following projects received the Winter 2023/24 The Open Fund Art Project Grant:


Underscore, run by artists Michael Lagerman and Grace Mitchell, is a project space and screening room whose program supports artists, projects, and collaborations emphasizing an interest in queerness, risk, and experimentation following Milwaukee’s historically DIY approach to the arts. Moody is a bimonthly print publication along with a Year Three Anthology, run by artist Melissa Mursch-Rodriguez, that aims to connect creative peers, amplify diverse voices, and support artists. “OK Sss” Open Kitchen, Self-seasoning symposium is an art collective project exploring convergence around a public, collapsible outdoor structure hosting artists-in-residence, topical lectures/conversations, and art exhibitions across three seasons designed by Rudy Medina, Alyx Christensen, and Alan Medina. DK Nutz Community Art hosts themed open-drawing sessions with a guest artist invited to facilitate each, run by artist Caitlin Rooney. Kitchen Minute creates communal portraits through small gatherings and individual stories using the kitchen as a unifying backdrop resulting in publicly streaming videos and a multi-media cookbook featuring contributor’s profiles, supported by the artist team: Paul Druecke, Ariana Vaeth, Anika Wilson, and Flora Coker. Some Fools: 2024-2025 Grassroots Curatorial Initiative encourages artistic collaboration by hosting exhibitions, artist talks and community meals run by artists Aliya Moore, Carter Voras, Olivia Keidl, and Sam Lopez with the goal of providing resources directly to artists, imagining a world where artwork and artists are equally upheld, loved and treated with care. Yours Truly Midwest Disability Arts Series, led by artists Taylor Bucki, Danielle Burrows, and Molly Hassler, is partnering with other Midwest art studios focusing on supporting artists with disabilities to create a series of exhibitions, artist panels, demos, and workshops in their cooperatively-run ceramics studio/contemporary art space in the Riverwest neighborhood. Other Dust will host collaborative, experimental workshops, many lead by guest artists, combining traditions such as folk magic, herbalism, divination, and animism with undertones of contemporary art perspectives, queer theory and intersectional feminism facilitated by artist Kayle Karbowski. Full Moon Karaoke and Variety Show will host two new guest artist projects and will produce the first editions of Full Moon Books to be released alongside the performances/party/karaoke/exhibition organized by artist Sara Caron. ​​The Alleyway Studio Sessions transforms an urban alleyway into a permanent, dynamic hub for multi-media art, music, exhibitions, poetry, comedy performances, and more; emphasizing innovative artistic engagement in our civic spaces produced by artists Xav Leplae and Ras Ameen. Bridge Work Professional Development Program administered by Plum Blossom Initiative is a professional development program providing opportunities for emerging artists to implement disciplined work habits, present their work, develop audiences, and establish networks of support and mentorship founded by artist Jason S. Yi and curator Leah Kolb. Pool v, 2025 will be a week-long workshop consisting of public beach walks/talks with scientists and artists, a mechanism for opening up dialogues about care, climate, and collaboration hosted by artists Sonja Thomsen and Thom Bridge near Lake Michigan. Milwaukee State of the Arts Magazine is a collaborative art magazine reflecting on the experiences of Milwaukee artists, who will be invited to contribute original material around the theme “State of the Arts in Milwaukee in 2024” published by artists Cris Siqueira, Diana H. Chu, Benjamin Grzenia, and community organizer Shelly McClone-Carriere. Blue Ribbon collaborators Neil Gasparka, Wes Tank, Josh Evert, and Amelinda Burich ask the question “What’s the best art you’ve ever seen?” by documenting interviews with artists they will record an index for future artists to reference. 

 

The next cycle of The Open Fund will be announced later this year.


Our 2023/2024 Jurors

Candice Davis is a conceptual artist from San Antonio, Texas currently living and working in Minneapolis. She earned a BFA in Web and Multimedia Environments from MCAD in 2018. Her practice is focused on the use of digital media, installation, and performance as a means of witnessing for the experiences of marginalized people, with specific emphasis on her experience as a Black woman in the United States.

She has exhibited and performed collaboratively at locations including the Walker Art Center (Minneapolis, MN), Franconia Sculpture Park (Shafer, MN), Minnesota African American Heritage Museum and Gallery (Minneapolis, MN), and Public Functionary (Minneapolis, MN). Davis has additionally presented solo exhibitions at the Boulder Museum of Contemporary Art (Boulder, CO), Soo Visual Arts Center (Minneapolis, MN), and PAPA Projects (St. Paul, MN). Davis is a recipient of a WorkArt Kunstverein Fellowship, Metropolitan Regional Arts Council Next Step Grant, Northern Lights Artist on the Verge 11 Fellowship, Target Studio for Creative Collaboration Residency, and Foundation for Contemporary Arts Grant.

 

Tatsuhiko Togashi is a Tokyo based artist from Yamagata prefecture. He studied at Sandberg Institute in Amsterdam and Tokyo University of the Arts before starting the Lavender Opener Chair in 2020 with fellow artists Yoko Daihara and Yohei Watanabe. The artist-run space in Nishiogu, Arakawa Ward functions as a contemporary art gallery supporting emerging artists from Japan and abroad, and also hosts food service by Togashi's at a kitchen-facing counter in the back of the gallery. LOC serves as a social respite for the Tokyo arts community. Smells from Togashi's kitchen welcome gallery visitors and seven modest stools host diners with traditional Yamagata meals. Togashi's cooking and hosting are the manifestation of his thoughtful attention to many sensory and social details presented temporally, and at the service of accessing a deeper appreciation of the visual arts.


Haynes Riley (b.1984 North Little Rock, Arkansas) is an artist, curator, designer, and the founder of Good Weather. His work is rooted in relationship building, research, and intellectual generosity; fostered by the generative dynamics of collaboration—through exhibition-making, publishing, and advocacy of artists. He is also founder of South Center Institute, a not-for-profit organization invested in experimentation and commissioning new work within an integrated supportive infrastructure in Little Rock and North Little Rock, Arkansas. South Center Institute works closely with artists during the ideation, research, production and realization of ambitious new projects. 

Selected solo exhibitions include An attitude that cares at David Salkin Creative (Chicago), Grand Opening at Brittany (Vallejo, California), An attitude you can wear at TOPS (Memphis), and Always at The Hills Esthetic Center (Chicago). Riley has organized exhibitions through various platforms, including friendsh.jp, The Bedfellow’s Club, Girl/Boy Gallery (which he founded while participating in the Ox-Bow School of Art Fall Artist Residency), and independently. He received an MFA from Cranbrook Academy of Art in 2011 and studied at The Mountain School of Arts (MSA^) in 2019. Riley lives and works between Chicago, Illinois and North Little Rock, Arkansas.


Our 2023/2024 Recipients


Juror Haynes Riley of North Little Rock said “The rich landscape of artist-run and community-focused projects that are happening in Milwaukee is incredibly inspiring. I look forward to seeing the myriad of forms that these initiatives will take.” 


Juror Tatsuhiko Togashi added "It was an honor to see all the strong applications. As an artist/cook based in Tokyo, I appreciated the active energy of Milwaukee through each artist project proposal. As someone who operates an artist-run space/project I understand the investment artists make on so many levels in their communities and recognize the depth of value artists contribute to our world. I look forward to seeing how this generation of artists leverages the contributions of this grant cycle to grow their own cultures in their communities.”